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Tuesday, May 19, 2026

IS OZU THE GREATEST FILMMAKER OF ALL TIME?

First of all, most of you never heard of Yasujiro Ozu, but I'll get into films later after a few alerts on world news.

    • He last week ended Senator Bill Cassidy congressional career in Louisiana, and Rep. Thomas Massie of Kentucky might be in trouble.  These two Republicans defied Trump.
    • Of course, will there even be elections on November 3?
  • The U.S. was ready to again attack Iran, when, on pressure from Middle East allies, he cancelled the strikes yesterday, citing progress towards a deal.  Iran submitted a revised 14-point proposal to Pakistan mediators.  No details yet on what happens to the Strait of Hormuz, or the matter of enriched uranium.

I watched last night The End of Summer on HBO Max because it is rated 100/86 by Rotten Tomatoes, and I had not looked at this streaming channel for two months.  I was away for 50 days.  The film was his next to last, released in 1961.


I almost bypassed this movie because it is directed by Yasujiro Ozu, and my experience in the past was that he had the most boring films.  Yes, this one was similar to the others.  But I hung in there.  Only 1 hour and 43 minutes long.  HBO Max had a few commercials now and then, which allowed me to find a snack or get to the bathroom.  I kept hanging in there, the end was nearing....when I fell asleep.


Mind you, he is famous, and I inquired of Google AI:

Yasujirō Ozu is widely considered one of the greatest filmmakers in cinematic history. His masterpiece, Tokyo Story (1953), was even named the #1 greatest film of all time by directors in the prestigious British Film Institute (BFI) Sight & Sound poll. [1, 2]

Further, that film topped the poll of film directors' choices of the "greatest film of all time."  Roger Ebert described him as the most humanistic director of all time.

Well, who is Yasujiro Ozu?

  • He was born in 1903 in Tokyo.  Had five brothers and sisters.
  • When he was three, he developed meningitis, and was in a coma for several days.
  • In high school, he frequently skipped classes to watch films made in America.  
  • At the age of 14 he saw Civilization, and decided that he would become a director.  Rotten Tomatoes reviewers gave it a rating of 83.
  • At the age of 17 was thrown out of a dormitory after being accused of writing a love letter to a boy in a lower class.  Remained a bachelor all his life.
  • Tried to get into college, but kept failing to gain entrance.
  • Through his uncle, at the age of 20, got a job with Shochiku Film Company.
  • That year, his family home was destroyed by the 8.0 Great Kanto Earthquake, which devastated Tokyo and Yokohama, killing up to 140,000 people, and leaving 2.5 million homeless.
  • At the age of 24 he directed his first film, with screenplay by Kogo Noda, who became his co-writer for the rest of their career.
  • A year later, made a number of sort comedy films.
  • When 27, directed Sochiku's top star, Sumiko Kurishima in An Introduction to Marriage.
  • Continued directing, but at the age of 34 in 1937 was drafted into the Imperial Japanese Army, and spent two years in China, surviving several battles.
  • He was anti-military in his films after renewing his career.
  • In 1943, at the age of 40, was again drafted to make propaganda films.
  • Survived the war and destroyed all traces of his war films.
  • At 45, moved back in with mother near Tokyo.  Went to work for Ofuna studios.
  • From the late 1940s, came his commercial successes, including Late Spring (1949), Early Summer (1951) and Tokyo Story (1953).
  • First color film Equinox Flower (1958), followed by Floating Weeds (1959) and Late Autumn (1960).
  • In 1959 became the first cinema person to win the Japan Art Academy Prize.
  • Continued to live with his mother until 1961, when she passed away.



  • Tokyo Story (1953)
    :
    100% Critic Score (widely considered one of the greatest films of all time).
  • Late Spring (1949): 100% Critic Score.
  • Early Summer (1951): 100% Critic Score.
  • Late Autumn (1960): 100% Critic Score.
  • Good Morning (1959): 94% Critic Score.
  • I Was Born, But… (1932): 100% Critic Score.
  • An Autumn Afternoon (1962): Generally rated highly, with strong critical consensus and an average review rating of 90%+. [1, 2, 3, 4, 5]
    • Directed 54 films.
    • Was a heavy drinker and smoker.  Died of throat cancer in 1963 on his 60th birthday.
    • Shares the grave with mother at Engakuji in Kamakura that just has the character mu, or nothingness.

    I've seen parts of three Ozu films.  I might have completed The Tokyo Story, agonizingly.  His movies, to me, are tedious, repetitive, plodding....you get the point.  I think of my favorite Japanese productions, and I would admit that samuri action might have tainted my feelings.  But my view is insignificant in light of  his accolades.  Ozu is among the top filmmakers of all time.

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